check web redirect url status code checker

Check server response of

Server response
NS records
Whois domain
Response headers
Request headers
Raw HTML code
301 Moved Permanently - c5inc.com
HTTP Status: 301
User-Agent: Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; [email protected])
Server: openresty/1.25.3.1
Date: Mon, 19 May 2025 16:46:50 GMT
Content-Type: text/html
Content-Length: 175
Connection: keep-alive
Location: https://c5inc.com/

HTTP Code 301 Moved Permanently

301 status code means that the requested resource has been permanently moved to a new URL. All future requests should use the new address.

When is Code 301 used?

  • When changing a website domain
  • When modifying URL structures
  • When setting up redirects for SEO

What does Code 301 mean for the user?

The browser will automatically redirect the user to the new address, and search engines will update their indexes.

200 OK - https://c5inc.com/
HTTP Status: 200
User-Agent: Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; [email protected])
Server: openresty/1.25.3.1
Date: Mon, 19 May 2025 16:46:51 GMT
Content-Type: text/html
Content-Length: 25952
Connection: keep-alive
Vary: Accept-Encoding
Last-Modified: Thu, 07 Mar 2024 03:12:09 GMT
ETag: "6560-6130970e11d05"
Strict-Transport-Security: max-age=31536000
X-Content-Type-Options: nosniff
X-Frame-Options: SAMEORIGIN
X-XSS-Protection: "1; mode=block"
Referrer-Policy: no-referrer-when-downgrade
X-Webcom-Cache-Status: BYPASS
Accept-Ranges: bytes

HTTP Code 200 OK

200 status code is a standard successful HTTP server response. It means that the client’s request (e.g., from a browser) was successfully processed, and the server is delivering the requested data.

When is Code 200 used?

  • When loading a web page
  • When successfully receiving an API response
  • When processing a form or another HTTP request

What does Code 200 mean for the user?

The user receives content without errors, and the page or application functions properly. If Code 200 is accompanied by data, the browser or program processes and displays it to the user.

GET / HTTP/1.1
Host: c5inc.com
Accept: */*
User-Agent: Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; [email protected])

<!DOCTYPE html>
<html lang="en">

<head>
    <meta charset="utf-8">
    <meta name="viewport" content="width=device-width, initial-scale=1.0">
    <meta name="description" content="">
    <meta name="author" content="">

    <title>c5 sound, inc.</title>

    <!-- Bootstrap Core CSS -->
    <link href="css/bootstrap.min.css" rel="stylesheet" type="text/css">

    <!-- Fonts -->
    <link href="http://netdna.bootstrapcdn.com/font-awesome/4.0.3/css/font-awesome.min.css" rel="stylesheet" type="text/css">
    <link href='http://fonts.googleapis.com/css?family=Lora:400,700,400italic,700italic' rel='stylesheet' type='text/css'>
    <link href='http://fonts.googleapis.com/css?family=Montserrat:400,700' rel='stylesheet' type='text/css'>

    <!-- Custom Theme CSS -->
    <link href="css/grayscale.css" rel="stylesheet">

</head>

<body id="page-top" data-spy="scroll" data-target=".navbar-custom">

    <nav class="navbar navbar-custom navbar-fixed-top" role="navigation">
        <div class="container">
            <div class="navbar-header page-scroll">
                <button type="button" class="navbar-toggle" data-toggle="collapse" data-target=".navbar-main-collapse">
                    <i class="fa fa-bars"></i>
                </button>
                <a class="navbar-brand" href="#page-top">
 <img src="img/logoFATTER.png" height="53" width="63"><span class="B">sound </span><span class="C">inc </span><span class="E">134 west 25th st nyc 10001</span>

                </a>
            </div>

            <!-- Collect the nav links, forms, and other content for toggling -->
            <div class="collapse navbar-collapse navbar-right navbar-main-collapse">
                <ul class="nav navbar-nav">


                    <!-- Hidden li included to remove active class from about link when scrolled up past about section -->
                    <li class="hidden">
                        <a href="#page-top"></a>
                    </li>
                        <a href="#page-about"></a>
                    </li>
                    <li class="page-scroll">
                        <a href="#services">about</a>
                    </li>
                                        <li class="page-scroll">
                        <a href="#adr">ADR</a>
                    </li>
                    <li class="page-scroll">
                        <a href="#foley">foley</a>
                    </li>
                    <li class="page-scroll">
                        <a href="#talent">talent</a>
                    </li>
                      <li class="page-scroll">
                        <a href="#specs">tech specs</a>
                    </li>
                      <li class="page-scroll">
                        <a href="#contact">contact</a>
                    </li>
                      <li class="page-scroll">
                        <a href="#login">server login</a>
                    </li>
                       <li class="page-scroll">
                        <a href="#friends">friends</a>
                    </li>
                </ul>
            </div>
            <!-- /.navbar-collapse -->
        </div>
        <!-- /.container -->
    </nav>

    <section class="intro">
        <div class="intro-body">
            <div class="container">
                <div class="row">
                    <div class="col-md-8">
           
<p><span class="Dblue">sound design</span><span class="C">FOR</span></br>
<span class="Bblue">FEATURE FILMS</span><span class="C">.DOCUMENTARIES.</span>
<span class="D">TELEVISION</span></br>
<span class="B">FOLEY.</span><span class="C">SOUND EFFECTS.</span><span class="C">MIXING.</span><span class="D">ADR.</span><span class="D">DIALOGUE EDITING</span></p>
</div>




                        <p class="intro-text"></p>
                        <div class="page-scroll">
                            </a>
                        </div>
                    </div>
                </div>
            </div>
        </div>
    </section>



    <section id="about" class="content-section text-center">
        <div class="bgBlank">
            <div class="container">

<p class="standout">innovative audio post production for motion picture sound in nyc</p>
<p>_founded in 1989 by working sound editors FOR sound editors and their clients, c5 was a pioneer in the use of digital sound editing technology and continues to be an industry innovator. c5 works on a variety of projects - major studio motion pictures as well as independent productions.</p>
    
<p>_c5's sound designers have been creating dramatic movie sounds for over 30 years. Each footstep, door slam, dish clink, explosion, leaf whisper, period vehicle, or insect chirp seamlessly woven together to bring feature films, shorts, and documentaries, regardless of the budget, vividly to life.</p>
    
<p>_c5 specializes in state-of-the-art sound editing, sound design and mixing, including foley recording and editing, Automatic Dialogue Replacement, sound effects editing, and the latest in dialogue editing technologies. c5 provides a huge range of sound design - from the creation of Angel wings or period aircraft, to the whispering song of bamboo sticks or destruction of a laboratory, to delicate rustle of clothing or frantic flurry of animated creatures, the designers manipulate thousands of original digitized clips to enhance the depth and impact of each movie frame.</p>
    
<p class="standout">some recent or upcoming projects where you can hear our work:    </p>
    <p class="centered"> Doug Liman's <span class="movie">ROADHOUSE</span>   Liesl Tommy's <span class="movie">RESPECT</span> Ari Aster's <span class="movie">BEAU IS AFRAID</span>    Ahmir Thompson's <span class="movie">SUMMER OF SOUL</span>  Martin Scorsese's <span class="movie">KILLERS OF THE FLOWER MOON</span> Tom McCarthy's <span class="movie">STILLWATER</span>Annie Baker's <span class="movie"> JANET PLANET</span> Stephen Chbosky's <span class="movie">DEAR EVAN HANSEN</span> Lin-Manuel Miranda's <span class="movie">TICK TICK BOOM!!!!</span>Amy Sherman-Palladino and Daniel Palladino's  <span class="movie">THE MARVELOUS MRS. MAISEL</span></p>
            </div>
            </div>
    </section>

    <section id="con" class="container content-section text-center">
        <div class="row">
            <div class="col-lg-8 col-lg-offset-2">
               
                <ul class="list-inline banner-social-buttons">
                   
                    </li>
                </ul>
            </div>
        </div>
    </section>


     <section id="services" class="content-section text-center">
        <div class="bgBlank">
            <div class="container">
                <p class="brackets">[ services ]</p>
<p class="standout">state of the art mixing capabilities</p>
    <p>_c5 owns and manages three Dolby-tuned ATMOS / 7.1 / 5.1 Mix and Sound Design Studios. Using the power of Digidesign's Pro Tools software and hardware, c5 has taken the philosophy of &quot;the edit is the mix, the mix is the edit&quot; and applied it in various ways to every production. Technology now allows the application of decades-old mixing techniques to be implemented in combination with the newest methods. Editors and Mixers working in our studios are able to not just pick the right sound, but to place those sounds properly anywhere within the sound field.<br/ >
_every project is unique and has different needs, something c5 is acutely attuned to. Experience across a very wide range of budgets and styles allows us to take advantage of the constantly evolving technological environment and maximize benefits for projects of every budget size.<br/ >
<p class="standout">past projects mixed at c5:</p>
<p class="centered"> Spike Lee's <span class="movie">DA 5 BLOODS</span> Bennett Miller's <span class="movie">FOXCATCHER</span> Richard Press's <span class="movie">BILL CUNNINGHAM NEW YORK</span> Martin Scorcese's <span class="movie">THE WOLF OF WALL STREET</span> Philip Noyce's <span class="movie">SALT</span> Ethan Hawke's <span class="movie">BLAZE</span>Tom McCarthy's <span class="movie">SPOTLIGHT</span> Spike Lee's <span class="movie">CHI-RAQ</span> John Patrick Shanley's <span class="movie">DOUBT</span> Ang Lee's <span class="movie">LUST CAUTION</span> Martin Scorsese's <span class="movie">THE DEPARTED</span> Shari Springer Bermann and Bob Pulcini's <span class="movie">AMERICAN SPLENDOR</span>Bennett Miller's <span class="movie">CAPOTE</span>  Michel Gondry's <span class="movie">BE KIND REWIND</span></p>

<p class="standout">innovator in digital sound</p>
    <p>_c5 was one of the first sound studios to transition from linear to digital sound editing. c5 also pioneered the use of media-sharing capabilities over a Storage Area Network (SAN) to exponentially increase the speed at which post sound production could take place. c5 engineers thrive on developing new ways to incorporate state-of-the-art digital technology into their productions in the midst of an always-changing industry.</p>
    
<p class="standout">the largest foley stage in the nyc area</p>
    <p>_c5 foley artists recreate sound effects in a state-of-the-art 3,700 sq. ft. facility, completely replacing original sound and/or augmenting existing sounds to create a richer track. One of the largest of its kind, c5's foley stage has water, mud and sand pits, and a warehousing space large enough to accommodate cars, boats, as well as oversized props.</p>
    
<p class="standout">award-winning</p>
<p>c5 personnel have been recognized in the form of nominations or wins by all the major industry organizations: Cinema Audio Society <span class="movie">CAS</span> British Academy of Film and Television Arts <span class="movie">BAFTA</span> Academy of Television Arts and Sciences <span class="movie">Emmys</span> Motion Picture Sound Editors <span class="movie">MPSE</span> and Academy of Motion Picture Arts and Sciences <span class="movie">Oscars</span>
    
<p class="standout">sound effects library</p>
    <p>_c5 hosts a very comprehensive sound effects library featuring thousands of original digitally recorded high resolution sounds. This library of proprietary sounds is available to every workstation in the facility.</p>
<br/ > 


</div>
        </div>
    </section>

     <section id="adr"  class="content-section text-center">
        <div class="bgADR">
        <div class="container">
                <p class="brackets">[ ADR ]</p>
                <p>_adr recording at c5 is always with a constant eye to the modern and highest fidelity as well as an organic approach against the backdrop of the time honored methods of Automatic Dialogue Recording.</p>
<p>_traditional Boom/Lav recording using industry standard microphones is the baseline, but we also have an extensive mic closet with many more esoteric options including various stereo configurations including M/S, LCR, and 5.0.  Continuous backup with time-of-day timecode stamp is created during every session.  The moment the actor walks in the door the backup is engaged, so you'll never a miss a good performance, regardless of how informal or "just a rehearsal" it might have been.</p>
<p>_proprietary software keeps the session fully automated with beeps / visual wipes and visual take feedback as well as dedicated monitor and keyboard for the ADR Supervisor.</p>

        <a href="docs/c5_ADR_specs.pdf" target="_new" class="btn btn-default btn-lg">download ADR session DELIVERY SPECS <i class="fa fa-microphone"></i></a>

</div>
            </div>
        </div>
    </section>



</div>
        </div>
    </section>

     <section id="foley"  class="content-section text-center">
        <div class="bgFoley">
        <div class="container">
                <p class="brackets">[ foley ]</p>
                <p>_foley has been a priority for the owners of c5 since the inception of the company in 1989 and there has always been an integral foley stage at c5. Our current main stage is one of the largest and most advanced  facilities in North America at 3,700 sq. ft. with a main pit of 256 sq. ft.</p>
<p>_a former warehousing facility, the location was transformed into a state-of-the-art sound stage that features a wide range of surface pits including salt, sand, dirt, and brick. Equipped with a vast array of props, including a full-size working motorboat, the stage allows c5's foley team to develop large, dramatic, true-to-life sounds.</p>
<p>_the pits are supported by a cement foundation, producing a very solid realistic sound. The size, depth, and unique acoustics of the foley stages create the perfect environments for the generation of production-quality sound. Perfecting a time-honored technique, renowned foley artist Marko Costanzo and foley engineer George Lara use the comprehensive array of surfaces, materials, acoustic angles, and unique spatial dimensions of the stage to create the vivid and complex sounds for every film done by the community of sound editors at c5, as well as work by outside sound supervisors.</p>
</div>
            </div>
        </div>
    </section>



     <section id="talent" class="content-section text-center">
        <div class="bgTalent">
            <div class="container">
                <p class="brackets">[ talent ]</p>
<span class="talentText">
<p><span class="standout">[ c5 partners ]</span></p>
   
    
<p><span class="talent">ron bochar - </span><span class="resume"><a href="docs/bochar.pdf" title="bochar" target="_new">RESUME</a></span> - <span class="IMDB"><a href='http://www.imdb.com/name/nm0090580/' title="bocharIMDB" target="_new">IMDB</a></span><br />
<span class="showbold">_</span>a founding member and co-manager of c5, Ron has managed a diverse range of editorial projects over the last 20 years. He has supervised the sound editing for films of many notable New York directors including Alan J. Pakula, Nora Ephron, Jonathan Demme, Mike Nichols, Frank Oz, Milos Foreman, and Barbet Schroeder. Ron has also been re-recording mixer for well-known films like <span class="showbold">MONEYBALL</span>, <span class="showbold">THE BIRDCAGE</span>, <span class="showbold">PHILADELPHIA</span>, <span class="showbold">JULIE AND JULIA</span>, <span class="showbold">NON-STOP</span> and <span class="showbold">MORTDECAI</span>. Ron recently completed the 2nd season of<span class="showbold">THE MARVELOUS MRS. MAISEL</span> and <span class="showbold">A WALK IN THE WOODS</span>, and is currently the supervising sound editor and re-recording mixer for <span class="showbold">ITHACA</span>.<br />
<span class="showbold">_</span>as c5's first foley artist and now as a sound designer and supervisor, Ron contributes a wealth of sound expertise to the industry-leading consortium he both founded and co-manages day-to-day.<br />
<span class="showbold">_</span>Ron was the recipient of both the Cinema Audio Society's Mixing Award as well as an Emmy for Outstanding Sound Mixing for a Miniseries or Movie for his work on <span class="showbold">ANGELS IN AMERICA</span> and an Academy Award Nominee for mixing <span class="showbold">MONEYBALL</span>.</p>




<p><span class="talent">phil stockton - </span><span class="IMDB"><a href='http://www.imdb.com/name/nm0830958/' title="stocktonIMDB" target="_new">resume @IMDB</a></span><br />
<span class="showbold">_</span>as a founding member and co-manager of C5, Phil has had the opportunity to work on an impressive array of feature films and documentaries for such directors as Martin Scorsese, Spike Lee, John Sayles, Ang Lee, Terry George and many others.<br />
<span class="showbold">_</span>Phil has received numerous awards and nominations. He won both an Oscar and BAFTA (British Academy Award) for <span class="showbold">HUGO</span>, and was nominated for an Oscar and BAFTA for <span class="showbold">LIFE OF PI</span>. He also has 4 Primetime Emmy nominations with a win for <span class="showbold">BOARDWALK EMPIRE</span>, and several MPSE Golden Reel Awards – most recently for <span class="showbold">LIFE OF PI</span> and <span class="showbold">GEORGE HARRISON, LIVING IN THE MATERIAL WORLD</span>.<br>
<span class="showbold">_</span>Phil has had the good fortune to work on over 130 films including such classics as <span class="showbold">RAISING ARIZONA</span>, <span class="showbold">GOODFELLAS</span>, <span class="showbold">DO THE RIGHT THING</span>, <span class="showbold">ETERNAL SUNSHINE OF THE SPOTLESS MIND</span> and <span class="showbold">BROKEBACK MOUNTAIN</span>.
<span class="showbold">_</span><br>
<span class="showbold">_</span>He is currently (March, 2015) working on the documentary, <span class="showbold">FRANK SINATRA: ALL OR NOTHING AT ALL for Alex Gibney and HBO</span>.</p>






<p><span class="talent">paul hsu - </span><span class="resume"><a href="docs/hsu.pdf" title="hsu" target="_new">RESUME</a></span> - <span class="IMDB"><a href='http://www.imdb.com/name/nm0398843/' title="hsuIMDB" target="_new">IMDB</a></span><br />
<span class="showbold">_</span>in addition to being co-manager of c5, Paul has a multitude of credits as re-recording mixer, composer, sound designer, and supervising sound editor. Paul recently completed work on Ari Aster's film <span class="showbold">BEAU IS AFRAID</span> for A24. Other projects include sound supervision for directors Harold Ramis, Gary Ross, Lin-Manuel Miranda as well as multiple projects with visionary director Michel Gondry. Among films he's mixed at c5 is <span class="showbold">BAGHDAD ER</span>, an HBO documentary nominated for 4 primetime Emmys including Best Sound Editing and Best Sound Mixing. Other projects include Sam Mendes' <span class="showbold">AWAY WE GO</span>, and Tom McCarthy's critically acclaimed films <span class="showbold">SPOTLIGHT</span>, <span class="showbold">WIN WIN</span>  and <span class="showbold">THE VISITOR</span>.</p>
<br />

<p><span class="standout">[ additional talent ]</span></p>




<p><span class="talent">eugene gearty - </span><span class="resume"><a href="docs/gearty.pdf" title="gearty" target="_new">RESUME</a></span> - <span class="IMDB"><a href='http://www.imdb.com/name/nm0311267/' title="geartyIMDB" target="_new">IMDB</a></span><br />
<span class="showbold">_</span>starting in 1982, Eugene was one of THE first digital sound editor/designers in the film industry. He pioneered the use of the ACCESS and the Synclavier systems for use in creating sound effects for movies such as <span class="showbold">SILENCE OF THE LAMBS</span>, <span class="showbold">DO THE RIGHT THING</span>, <span class="showbold">MEN IN BLACK</span>, and <span class="showbold">THE HUDSUCKER PROXY</span>. He has worked with many New York directors including Joel & Ethan Coen, Jim Jaramusch and Lee Daniels. He's been nominated twice for an Academy Award, winning for <span class="showbold">HUGO</span> in 2012. He has won the Golden Lion (Taiwan) and the Hong Kong "Oscar" (China) for <span class="showbold">CROUCHING TIGER/HIDDEN DRAGON</span>. He has also won the MPSE Golden Reel for sound effects editing for <span class="showbold">THE AVIATOR</span>. Recently he supervised and sound designed the movie <span class="showbold">STONE</span> for the director John Curran and sound edited/designed the first season of <span class="showbold">BOARDWALK EMPIRE</span> for HBO.</p>




<p><span class="talent">marko costanzo</span> - <span class="IMDB"><a href='http://www.imdb.com/name/nm0003401/' title="costanzoIMDB" target="_new">IMDB</a></span><br />
<span class="showbold">_</span>working as a freelance foley artist for almost 30 years, Marko has had the opportunity to collaborate with many of the finest directors, sound designers, and foley editors in the industry. He's made c5 his home since 1990 and has over 400 film credits under his belt. Marko continues to work his magic for big budget feature films as well as independent projects with shoe-string budgets. Whether it's a child cowgirl tumbling backwards down a vine-covered cave into a pit of snakes, or the gentle flutter of a hummingbird's wings as it navigates a marshy landscape, Marko's passion for creating sound effects is available for you at c5's massive prop-intensive foley stage.</p>




<p><span class="talent">george lara</span> - <span class="IMDB"><a href='http://www.imdb.com/name/nm0487908/' title="laraIMDB" target="_new">IMDB</a></span><br />
<span class="showbold">_</span>with countless hours behind the board as foley mixer, george has recorded the subtle but crucial foley elements for hundreds of films both commercial and independent.</p>





            </div>
        </div>
    </section>




     <section id="specs" class="content-section text-center">
        <div class="bgSpecs">
            <div class="container">
                <p class="brackets">[ tech specs ]</p>

<p><span class="C">guidelines for turnover from picture departments:</br></br>
    every project has unique technical aspects but here are guidelines in .pdf form</span></p>
              
<p class="centered"><a href="docs/c5_OMF_avid_specs.pdf" target="_new" class="btn btn-default btn-lg">AVID<i class="fa fa-long-arrow-right fa-fw"></i>AAF <i class="fa fa-file-text"></i></a>

    <a href="docs/c5_OMF_fcp_specs.pdf" target="_new" class="btn btn-default btn-lg">FCP<i class="fa fa-long-arrow-right fa-fw"></i>OMF <i class="fa fa-file-text"></i></a></p>


<p class="centered"><a href="docs/c5_QT_specs.pdf"  target="_new"class="btn btn-default btn-lg">feature film<i class="fa fa-long-arrow-right fa-fw"></i>QuickTime <i class="fa fa-film"></i></a>

   <a href="docs/c5_QT_specs_TVandDOC.pdf" target="_new" class="btn btn-default btn-lg">tv and documentary<i class="fa fa-long-arrow-right fa-fw"></i>QuickTime <i class="fa fa-film"></i></a></p>



    <a href="docs/c5_foley_spotting_specs.pdf" target="_new" class="btn btn-default btn-lg">FOLEY cueing guidelines<i class="fa fa-male fa-fw"></i></a>

     <a href="docs/c5_MIXsurround101.pdf" target="_new" class="btn btn-default btn-lg">Mix & Surround formats 101 <i class="fa fa-volume-up"></i></a></p>

          <a href="docs/c5_ADR_specs.pdf" target="_new" class="btn btn-default btn-lg">ADR session DELIVERY <i class="fa fa-microphone"></i></a>




            </div>
        </div>
    </section>


         <section id="contact" class="content-section text-center">
                    <div class="bgContact">
                                <div class="container">
                <p class="brackets">[ contact ]</p>
                  <p><span class="standout">telephone.212.645.3680<br />
fax.212.645.5025</span><br />
<br/ >
  <span class="standoutblack">c5.incorporated<br/ >
134.west.25th.street.4th.floor [between 6th+7th aves]<br />
newyork.ny.10001</span><br />
<br />


For sales and marketing information, or to start a project: <a href="mailto:[email protected]">[email protected]</a></p>

<p class="centered"><a href="docs/c5_filmography.pdf" class="btn btn-default btn-lg">.pdf of c5's full filmography <i class="fa fa-file-text"></i></a></a></span></p>


        </div>
    </div>
    </section>

         <section id="login" class="content-section text-center">
        <div class="bgLogin">
            <div class="container">
                <p class="brackets">[ server login ]</p>


  <p><span class="standout"><a href="http://www.c5server.com:8000/Login">to open an ftp connection from your web browser click here</a></span><br />
<br/>
<br/>
<span class="standout">from an ftp software client:</span><br />
connect to <span class="standout">c5server.com</span><br />enter your username and password<br />
<br/>
<br/>
<span class="standout">from the Mac OS Finder [Desktop]:</span><br />
<span class="standout">Apple-K</span> [or 'Connect to Server' from the 'Go' menu]<br /><span class="stuff">ftp://c5server.com</span><br />enter your username and password<br />
<br/ >
<br/>
<span class="standout">our DigiDelivery host address:</span><br />
<span class="standout">c5digidelivery.com</span><br />
You can download the DigiDelivery client software <a href="http://www.asperasoft.com/en/downloads/11">HERE</a>
<br/>
<br/>
            </div>
        </div>
    </section>

 <!--       <section id="listen" class="container content-section text-center">
        <div class="bgBlank">
            <div class="container">
                <p class="brackets">[ listen ]</p>
            </div>
        </div>
    </section>    -->

         <section id="friends" class="container content-section text-center">
        <div class="bgBlank">
            <div class="container">
                <p class="brackets">[ friends ]</p>
                 <p><span class="HEADING_red"><a href="http://www.nylovesfilm.com"><img src="images/NYLOVESFILM_trans.png" width="100" height="63" alt="NYlovesFilm" /> Click here for info on the NEW YORK STATE tax credit!!</a></span><br />
<br />
    <p><span class="HEADING_red"><a href="http://postnewyork.org/">The New York Post Alliance</a></span><br />

<br/ >
    <p><span class="HEADING_red"><a href="http://www.nywift.org/">New York Women in Film & Television</a></span><br />


<br/ >
    <p><span class="HEADING_red"><a href="http://www.facebook.com/pages/c5-sound-inc/144614048619">the c5 sound facebook page ;-)</a></span><br />
            </div>
    </div>
    </section>


    <!-- Core JavaScript Files -->
    <script src="https://ajax.googleapis.com/ajax/libs/jquery/1.10.2/jquery.min.js"></script>
    <script src="js/bootstrap.min.js"></script>
    <script src="http://cdnjs.cloudflare.com/ajax/libs/jquery-easing/1.3/jquery.easing.min.js"></script>

    <!-- Google Maps API Key - You will need to use your own API key to use the map feature -->
    <script type="text/javascript" src="https://maps.googleapis.com/maps/api/js?key=AIzaSyCRngKslUGJTlibkQ3FkfTxj3Xss1UlZDA&sensor=false"></script>

    <!-- Custom Theme JavaScript -->
    <script src="js/grasssyscale.js"></script>

</body>

</html>

Whois info of domain

Domain Name: C5INC.COM
Registry Domain ID: 867703_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.networksolutions.com
Registrar URL: http://networksolutions.com
Updated Date: 2024-12-12T12:19:54Z
Creation Date: 1998-02-11T05:00:00Z
Registry Expiry Date: 2026-02-10T05:00:00Z
Registrar: Network Solutions, LLC
Registrar IANA ID: 2
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8777228662
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS13.WORLDNIC.COM
Name Server: NS14.WORLDNIC.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2025-05-19T16:46:44Z <<<
For more information on Whois status codes, please visit https://icann.org/epp
NOTICE: The expiration date displayed in this record is the date the
TERMS OF USE: You are not authorized to access or query our Whois
by the following terms of use: You agree that you may use this Data only
to: (1) allow, enable, or otherwise support the transmission of mass